{"id":7604,"date":"2015-03-12T13:47:02","date_gmt":"2015-03-12T13:47:02","guid":{"rendered":"http:\/\/bethmoyses.com.br\/site\/portfolio\/aguas-transitorias-brasil-3-2-2\/"},"modified":"2026-11-08T15:03:21","modified_gmt":"2026-11-08T15:03:21","slug":"publico-e-privado-no-fora-do-dentro","status":"publish","type":"portfolio","link":"https:\/\/bethmoyses.com.br\/site\/portfolio\/publico-e-privado-no-fora-do-dentro\/","title":{"rendered":"P\u00fablico e privado \u2013 No fora do dentro (ARCO, Madrid)"},"content":{"rendered":"

[vc_row el_class=\u00bbidiomas-tabs\u00bb][vc_column][vc_tta_tabs shape=\u00bbsquare\u00bb active_section=\u00bb1″][vc_tta_section title=\u00bbPortugu\u00eas\u00bb tab_id=\u00bb1448286307981-57578b1c-860f\u00bb][vc_column_text css=\u00bb\u00bb]Ao longo dos seus mais de trinta anos de trabalho, Beth Moys\u00e9s se dedicou \u00e0s mulheres, \u00e0 hist\u00f3ria das mulheres, \u00e0 luta e \u00e0 consci\u00eancia contra a viol\u00eancia de g\u00eanero, \u00e0 resist\u00eancia daquelas que nos antecederam, \u00e0quelas que quiseram curar o mundo de alguma forma.<\/p>\n

Os dois trabalhos por Beth aqui apresentados orbitam um problema relacionado com essa viol\u00eancia, expandindo-a sem esquec\u00ea-la: a intera\u00e7\u00e3o do dentro com o fora. Onde come\u00e7a o dentro? Onde termina o fora?<\/p>\n

Tanto o v\u00eddeo Tormenta<\/em> quanto o objeto Castelo Interior<\/em>, inspirados em Santa Teresa de \u00c1vila e na sua seguidora, Santa Teresinha do Menino Jesus, nos deixam ver, separadamente ou em intera\u00e7\u00e3o, o modo como Beth procura abordar a complexa rela\u00e7\u00e3o dentro-fora.<\/p>\n

Essa inspira\u00e7\u00e3o, no entanto, pouco tem a ver com os aspectos teol\u00f3gicos de Santa Teresa de \u00c1vila. O que Beth procura \u00e9 extrair o que acredita ainda existir de contempor\u00e2neo nessa obra prodigiosa: a resist\u00eancia feminina, mesmo quando inconsciente; o convite \u00e0 medita\u00e7\u00e3o atenta; o olhar para o conflito da interioridade, da alma frente ao mundo.<\/p>\n

De que modo separar dentro e fora? De que modo conect\u00e1-los?<\/p>\n

Tormenta<\/em> representa o que resta de uma cidade em guerra junto \u00e0 promessa dessa chuva de rosas que cai sobre as ru\u00ednas. Um renascimento ou um t\u00famulo? Seria poss\u00edvel curar o fora? Seria poss\u00edvel n\u00e3o adoecer no dentro?<\/p>\n

\u00c9 na alma que encontramos a transpar\u00eancia de uma interioridade que se deseja inviol\u00e1vel, longe da viol\u00eancia, apartada do mundo, esse Castelo Interior como lugar imaterial onde nos encontrar\u00edamos a salvo das vicissitudes da vida no fora.<\/p>\n

Mas poder\u00edamos mesmo nos distanciar do mundo e nos resguardar na interioridade?<\/p>\n

Talvez n\u00e3o seja o caso de se resguardar no dentro, na interioridade, mas compreender o convite maior de Santa Teresa em rela\u00e7\u00e3o \u00e0 medita\u00e7\u00e3o, que significa, no caso de Beth, compreender o fora e seus ecos no dentro: o exterior mostrado no v\u00eddeo e o interior do objeto, mas tamb\u00e9m o exterior do objeto refletindo em cristal e o interior refletido de quem assiste ao v\u00eddeo.<\/p>\n

Meditar significa refletir acerca do que nos chega, do que acontece com n\u00f3s, em n\u00f3s. Trata-se de questionar o que se apresenta de imediatamente vis\u00edvel no mundo em rela\u00e7\u00e3o ao que se oculta na interioridade. Trata-se de tentar ver o que se esconde no mundo para aparecer em nossa interioridade, como um sintoma que demanda uma cura.<\/p>\n

Pensar com Santa Teresa, ou partir de Santa Teresa para pensar, significa uma resson\u00e2ncia n\u00e3o com seus dogmas, mas com as vis\u00f5es que ela teve no alvorecer da modernidade; vis\u00f5es essas que nada perderam da vontade m\u00edstica de cura nelas contidas.<\/p>\n

Tamb\u00e9m Santa Teresa de \u00c1vila teve de afirmar para um exterior o que havia na sua interioridade, seu modo de ver o mundo e de conceber os caminhos que dever\u00edamos tomar para nos livrarmos da Tormenta que nos chega desde fora sacudindo o nosso dentro.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=\u00bbEnglish\u00bb tab_id=\u00bb1448286242625-3c61822e-9460″][vc_column_text css=\u00bb\u00bb]<\/p>\n

Throughout her more than thirty years of artistic practice, Beth Moys\u00e9s has devoted herself to women, women’s history, the struggle against gender-based violence and the awareness it demands, to the resistance of those who came before us, and to those who sought, in one way or another, to heal the world.The two works by Beth presented here revolve around an issue related to this violence, expanding its scope without losing sight of it: the interaction between the inner and the outer. Where does the inside begin? Where does the outside end?<\/p>\n

Both the video Tormenta<\/em> and the object Castelo Interior<\/em>, inspired by Saint Teresa of \u00c1vila and her follower, Saint Th\u00e9r\u00e8se of the Child Jesus, allow us to see, separately or in dialogue with one another, how Beth seeks to address the complex relationship between inside and outside.<\/p>\n

This inspiration, however, has little to do with the theological aspects of Saint Teresa of \u00c1vila. What Beth seeks is to draw out what she believes remains relevant and contemporary in this extraordinary body of work: female resistance, even when unconscious; the invitation to attentive meditation; and an exploration of the conflict of interiority, of the soul in relation to the world.<\/p>\n

How can the inside and the outside be separated? How can they be connected?<\/p>\n

Tormenta<\/em> represents what remains of a city at war, alongside the promise of a shower of roses falling upon its ruins. A rebirth or a tomb? Is it possible to heal the outside? Is it possible to avoid becoming ill within?<\/p>\n

It is in the soul that we find the transparency of an interiority that seeks to remain inviolable, far from violence and removed from the world: this Interior Castle as an immaterial place where we might find ourselves safe from the vicissitudes of life in the outside world.<\/p>\n

But could we really distance ourselves from the world and retreat into our inner selves?<\/p>\n

Perhaps the point is not to seek refuge within, in our interiority, but rather to understand Saint Teresa’s greater invitation to meditation. In Beth’s work, this means understanding the outside and its echoes within: the exterior shown in the video and the interior of the object, but also the object’s exterior reflected in the glass, and the inner self of the person watching the video reflected in it.<\/p>\n

To meditate means to reflect on what reaches us, on what happens to us and within us. It means questioning what is immediately visible in the world in relation to what remains concealed within. It means trying to see what is hidden in the world and emerges within us, like a symptom calling for healing.<\/p>\n

To think with Saint Teresa, or to take Saint Teresa as a starting point for thought, means establishing a resonance not with her dogmas, but with the visions she experienced at the dawn of modernity; visions that have lost none of their mystical desire for healing.<\/p>\n

Saint Teresa of \u00c1vila, too, had to affirm to the outside world what existed within her: her way of seeing the world and conceiving the paths we should take to free ourselves from the Tormenta<\/em> that reaches us from outside, shaking everything within.<\/p>\n<\/div>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row el_class=\u00bbidiomas-tabs\u00bb][vc_column][vc_tta_tabs shape=\u00bbsquare\u00bb active_section=\u00bb1″][vc_tta_section title=\u00bbPortugu\u00eas\u00bb tab_id=\u00bb1448286307981-57578b1c-860f\u00bb][vc_column_text css=\u00bb\u00bb]Ao longo dos seus mais de trinta anos de trabalho, Beth Moys\u00e9s se dedicou \u00e0s mulheres, \u00e0 hist\u00f3ria das mulheres, \u00e0 luta e \u00e0 consci\u00eancia contra a viol\u00eancia de g\u00eanero, \u00e0 resist\u00eancia daquelas que nos antecederam, \u00e0quelas que quiseram curar o mundo de alguma forma. Os dois trabalhos por…<\/p>\n","protected":false},"author":3,"featured_media":7744,"template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[267],"portfolio_tag":[243],"class_list":["post-7604","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-exhibition","portfolio_tag-243"],"acf":[],"_links":{"self":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/7604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":6,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/7604\/revisions"}],"predecessor-version":[{"id":8454,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/7604\/revisions\/8454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/media\/7744"}],"wp:attachment":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/media?parent=7604"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio_category?post=7604"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio_tag?post=7604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}