{"id":8525,"date":"2015-03-12T13:47:02","date_gmt":"2015-03-12T13:47:02","guid":{"rendered":"https:\/\/bethmoyses.com.br\/site\/portfolio\/semear-no-corpo-2\/"},"modified":"2026-11-08T22:39:50","modified_gmt":"2026-11-08T22:39:50","slug":"diluidas-en-el-mar-cartagena-de-indias-colombia","status":"publish","type":"portfolio","link":"https:\/\/bethmoyses.com.br\/site\/portfolio\/diluidas-en-el-mar-cartagena-de-indias-colombia\/","title":{"rendered":"Dilui\u0301das en el mar (Cartagena de Indias \u2013 Colombia)"},"content":{"rendered":"

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Inspirada na obra Os Amantes<\/em>, de Ren\u00e9 Magritte, esta performance foi realizada em 25 de novembro de 2022, Dia Internacional para a Elimina\u00e7\u00e3o da Viol\u00eancia contra as Mulheres. O v\u00e9u utilizado pela artista \u00e9 confeccionado em gaze cir\u00fargica.<\/p>\n

A dimens\u00e3o do corpo ocupa um lugar central na obra de Beth Moys\u00e9s: um corpo atravessado pela viol\u00eancia, pelas fraturas e pelas feridas. Em Diluidas no Mar<\/em>, vinte mulheres vestidas com leves vestidos brancos participam de um ritual coletivo de transbordamento e cura.<\/p>\n

Cada uma carrega baldes com \u00e1gua do mar e, ao longo de uma caminhada lenta e silenciosa, vai se molhando e se banhando progressivamente. Seus rostos permanecem cobertos por v\u00e9us transl\u00facidos que, simultaneamente, ocultam e revelam suas express\u00f5es.<\/p>\n

O v\u00e9u, historicamente associado ao controle do corpo feminino, \u00e9 ressignificado pela artista. A a\u00e7\u00e3o, realizada em Cartagena das \u00cdndias, dialoga com feridas hist\u00f3ricas e sociais profundas. A performance busca purgar a viol\u00eancia sem ocultar aquilo que permanece inscrito nos corpos e na mem\u00f3ria.<\/p>\n

As hist\u00f3rias de dor est\u00e3o bordadas nos vestidos. \u00c0 medida que a \u00e1gua do mar os encharca, as palavras se dissolvem e se misturam, permitindo que o texto se funda com o mundo. O \u00edntimo se desloca para o espa\u00e7o p\u00fablico, questionando s\u00e9culos de censura e controle sobre o corpo feminino.<\/p>\n

O vestido, elemento recorrente na obra de Beth Moys\u00e9s, transforma-se aqui em uma superf\u00edcie na qual as manchas de \u00e1gua desenham novas escritas. O corpo surge como territ\u00f3rio de mem\u00f3ria, transforma\u00e7\u00e3o e resist\u00eancia.<\/p>\n

Ao final da a\u00e7\u00e3o, as mulheres continuam caminhando por Cartagena, encharcadas pela \u00e1gua do mar, lembrando-nos de que a jornada rumo \u00e0 erradica\u00e7\u00e3o da viol\u00eancia ainda \u00e9 longa. A performance transforma a dor em mem\u00f3ria compartilhada e prop\u00f5e novas formas de imaginar a experi\u00eancia feminina.<\/p>\n

Texto: Bianca Coutinho Dias.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=\u00bbEnglish\u00bb tab_id=\u00bb1448286242625-3c61822e-9460″][vc_column_text css=\u00bb\u00bb]<\/p>\n

Inspired by Ren\u00e9 Magritte\u2019s painting The Lovers, this performance took place on 25 November 2022, the International Day for the Elimination of Violence against Women. The veil worn by the artist is made of surgical gauze.The body occupies a central place in Beth Moys\u00e9s\u2019 work: a body marked by violence, fractures and wounds. In Diluted in the Sea, twenty women dressed in light white dresses take part in a collective ritual of release and healing.<\/p>\n

Each woman carries buckets filled with seawater and, during a slow, silent walk, gradually wets and bathes herself. Their faces remain covered by translucent veils that simultaneously conceal and reveal their expressions.<\/p>\n

The veil, historically associated with the control of the female body, is given a new meaning by the artist. The action, developed in Cartagena de Indias, engages with deep-rooted historical and social wounds. The performance seeks to purge violence without concealing what remains inscribed in bodies and memory.<\/p>\n

Stories of pain are embroidered onto the dresses. As the seawater soaks into the fabric, the words dissolve and intermingle, allowing the text to merge with the world. The intimate moves into the public sphere, challenging centuries of censorship and control over the female body.<\/p>\n

The dress, a recurring element in Beth Moys\u00e9s\u2019 work, becomes a surface upon which the water stains trace new forms of writing. The body emerges as a territory of memory, transformation and resistance.<\/p>\n

At the end of the action, the women continue walking through Cartagena, soaked in seawater, reminding us that the journey towards eradicating violence remains a long one. The performance transforms pain into shared memory and proposes new ways of imagining the female experience.<\/p>\n

Text: Bianca Coutinho Dias.<\/p>\n<\/div>\n

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[vc_row el_class=\u00bbidiomas-tabs\u00bb][vc_column][vc_tta_tabs shape=\u00bbsquare\u00bb active_section=\u00bb1″][vc_tta_section title=\u00bbPortugu\u00eas\u00bb tab_id=\u00bb1448286307981-57578b1c-860f\u00bb][vc_column_text css=\u00bb\u00bb] Inspirada na obra Os Amantes, de Ren\u00e9 Magritte, esta performance foi realizada em 25 de novembro de 2022, Dia Internacional para a Elimina\u00e7\u00e3o da Viol\u00eancia contra as Mulheres. O v\u00e9u utilizado pela artista \u00e9 confeccionado em gaze cir\u00fargica. A dimens\u00e3o do corpo ocupa um lugar central na obra…<\/p>\n","protected":false},"author":3,"featured_media":8534,"template":"","meta":{"_acf_changed":false,"footnotes":""},"portfolio_category":[203],"portfolio_tag":[252],"class_list":["post-8525","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-performance","portfolio_tag-252"],"acf":[],"_links":{"self":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/8525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":4,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/8525\/revisions"}],"predecessor-version":[{"id":8536,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio\/8525\/revisions\/8536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/media\/8534"}],"wp:attachment":[{"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/media?parent=8525"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio_category?post=8525"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/bethmoyses.com.br\/site\/wp-json\/wp\/v2\/portfolio_tag?post=8525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}